This is the programme of events for the WORD EVENT symposium. Please note the relatively early start.
| 9.30 | registration | ||
| 10.00 | paper session 1 | Dr John Hails (Napier University) | ‘That was great, but it wasn’t Stockhausen’ (Martyn Harry, following performance of ‘Richtige Dauern’ and ‘Intensität’ from Stockhausen Aus den Sieben Tagen in June 2007) |
| Lauren Redhead (University of Leeds) | Putting the Score in its Place: Performing Verbal Notation in Locational Context | ||
| Alexis Porfiriadis (Bath Spa University, U.K.) and Dr Danae Stefanou (Aristotle University of Thessaloniki, Greece) | The eventfulness of unheard thoughts: Words of Nothing for piano player(s) [2010] | ||
| 11.30 | coffee | ||
| 11.45 | keynote speaker | Dr. Jennifer Walshe (Brunel University) | |
| 12.30 | lunch | ||
| 1.15 | lunchtime concert | Angharad Davies, John Lely, Tim Parkinson, James Saunders | |
| 2.00 | paper session 2 | Dr. Richard Glover (University of Huddersfield) | Pitch specificity in text scores |
| Dr Scott Mc Laughlin (University of Huddersfield) | Framing, Filtering: Interpretation and Prescription in the Scores of Manfred Werder | ||
| Jef Chippewa | New Music Notation — Score Design, Function and Role: Deciphering the degree of precision intended by the composer of a “text score” |
||
| 3.30 | lunch | ||
| 2.00 | paper session 3 | Dr Nicholas Melia | ‘I am Sitting on a Bench’: Manfred Werder’s Efficacy |
| Dr Sam Mirelman (SOAS) | Syllable and Word Notation in Asian Music: A Composer’s Perspective | ||
| Joseph Kudirka (University of Huddersfield) | This One’s for the Cats | ||
| 5.15 | close |
All sessions take place in the Barn at Corsham Court.
